Principle difference Ki-Hub technique consists in the following: the man doesnТt create an energy field around him. Quite the contrary, a man opens, comes in contact with the element or object, spiritual connection is formed between them. In Ki-Hub this contact never was a fight or subdual Ц it is always asking with request, with love, with great respect. Every object, every element has its own character and even can change its spirits. One and the same sword at different times has a different contact with you. It depends on your internal condition too. If you are calm, if you give up outside thoughts, contact makes nearly right away, and sharp sword doesnТt do any harm.
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The performer of the next number concentrates and makes contact with a sword. Then he lies on a sharp blade by naked trunk and, not touching the floor, balances on a blade.We put the girl on a blade of sword by her naked back. One of performers of this number stands on her. After that the girl stands up and demonstrates her back with no harm on it. At the same time double-sided torch is caught, and the performer of this number slowly passes this fire on girlТs back and hands. Then very spectacular rotation and juggling by the torch begins. The next "fire" number begins with fire "breath". Then performers set a hoop on fire and do acrobatic jumps through the flame.
Light" Ki-Hab is called such techniques, which are doing in such condition, when a man fills himself very light, almost weightless. Such techniques allow to work with fragile objects, not to damage its. It is known that in some monasteries in Korea and Tibet monks practice so-called "running over the ground", so they run so easy, as they donТt stay footprints. If observe such running on grass, you practically not to see that grass is bend down. It is already very high level of mastering in "light" Ki-Hab.
It shouldnТt be supposed that a term "light" means easy work! In reality this technique is very difficult and demands top concentration from the person.
Fastenings with usual electric lamps in it appear on scene. We switch on the lamps, and the girl walks on it, not to damage these lamps. Then we unscrew all lamps, and demonstrate this lamps still "being hot" to most distrustful public...
Acrobatic numbers, rotation and juggling by trident, demonstration of fighting complexes with pole and double-point lance are in program of performance of our group.
Traditionally a performance is finished by "hard" number. A man put his naked back on a blade of sword. We put a block with sharp knifes on his chest, put a heavy stone slab on the block and with a help of sledge-hammer break this slab in two. Then we break on his chest two halve of a slab, too Ц one after one. After this a performer stands up and does series of acrobatic jumps.
Group TANGUN come on scene for the bow, a legend is heard: "In ancient kingdom Korere on one of the gravestones an epitaph was beat: "There were in our land adherents of mysterious trend, the teaching about delicate perfection. Time wiped off an epitaph, ruined the gravestone, but these people were not disappearing."
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